Nola Ashgrove sits by a tall window behind thin blue curtains, morning light and a trace of smoke

Debut album · Out October 8

Nola Ashgrove

Smoky trip-hop for Sunday mornings after long nights. Dusty breakbeats, warm bass, vinyl crackle and a velvet voice.

Album cover Blue Curtains: Nola by the window, holding a thin blue curtain aside in a dark room

Album · October 8, 2026

Blue Curtains

One year in a single apartment, fourth floor, above a tram line, behind thin blue curtains. He is gone, his coat still hangs by the door. The album follows Nola from the first night alone to the morning she pulls the curtains open and the apartment is hers again.

Nothing explodes. Everything fades slowly, like smoke.

10 songs · 38 minutes

Night

  1. 01 Needle Drop 3:06
  2. 02 Streetlight Lullaby 4:18
  3. 03 Half a Bed 4:03

Sunday

  1. 04 Slow Smoke 3:33
  2. 05 Honey in the Radio 3:52
  3. 06 Rooftop Static 3:32

Undertow

  1. 07 Undertow 3:57
  2. 08 Borrowed Rain 4:02

Morning

  1. 09 Keys on the Table 3:18
  2. 10 Blue Curtains 3:53
Portrait of Nola Ashgrove: dark wavy hair, an oversized cream sweater, steam rising from a mug by the window

About Nola

Nola Ashgrove's songs sound like Sunday morning after a long night: dusty breakbeats, deep warm bass, slide guitar and vinyl crackle, with a smoky, velvet voice floating on top.

She sings about the city after midnight, about a coat still hanging by the door, and about the moment you finally take it down. Nothing in her songs is rushed. She takes her time with sadness, and in the end she always opens the window.

Ash for ash and smoke, grove for something that grows back.

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